This particular version, which appeared on Relaxin’ with the Miles Davis Quintet, was recorded in October 1956 at Rudy Van Gelder’s studio in Hackensack, NJ, and features Davis on trumpet, Coltrane on tenor sax, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums. But…recording with Davis…he had a sound.”Īhead of the release, fans can check out “Oleo.” Written in 1954 by Sonny Rollins, who-like many jazz artists-based the composition on the chord structure of George Gershwin’s “I Got Rhythm,” the high-energy tune has since become a standard. In a 2001 New York Times feature, critic Ben Ratliff argued that during Coltrane’s early years as a sideman, he “didn’t particularly distinguish himself for the most part, he can barely be heard. This was also a period of significant artistic growth for Coltrane.
THELONIOUS MONK JOHN COLTRANE SERIES
Known as the “First Great Quintet,” the legendary group recorded a string of highly regarded titles over the next two years, including the Relaxin’, Workin’, Steamin’, and Cookin’ series for Prestige. Davis was forming a new band and invited the promising young saxophonist to join him, along with Garland, Chambers, and Jones. But a call from Miles Davis in 1955 changed the course of his life. Another Side of John Coltrane also includes new liner notes by the award-winning journalist, author, and Jazz Journalists Association’s Lifetime Achievement Award recipient, Doug Ramsey.Ĭoltrane launched his musical career a decade earlier, sharing the stage with leaders like King Kolax and Jimmy Heath, followed by Dizzy Gillespie, Johnny Hodges, and even his idol, Charlie Parker. The collection is produced by Nick Phillips, mastered by the Grammy-winning engineer Paul Blakemore, with lacquers cut by Clint Holley at Well Made Music. The vinyl editions include two bonus tracks, not featured on the CD or digital: “Nutty” (from Thelonious Monk with John Coltrane) and “Birks’ Works” (from Soul Junction by the Red Garland Quintet ft. A collectible, yellow-colored pressing (limited to 500 copies) can be found exclusively at, while Barnes and Noble will offer an opaque gray exclusive (also limited to 500). Craft Recordings’ forthcoming release, Another Side of John Coltrane, set for release on August 20, explores this aspect of the trailblazing artist’s career and spotlights some of his best work in sessions led by Miles Davis, Thelonious Monk, Sonny Rollins, Red Garland, Tadd Dameron, and Art Taylor.Īnother Side of John Coltrane will be offered on vinyl as a 2-LP set, on CD, and across digital platforms. The first study of one of the most significant jazz releases of the twenty-first century, Thelonious Monk Quartet with John Coltrane at Carnegie Hall is essential reading for all jazz scholars, students, musicians, and fans.While John Coltrane’s legacy largely focuses on his innovative and influential work as a leader, the saxophonist and composer began his career as a highly respected sideman, who rose to fame playing alongside some of the greatest names in jazz.
THELONIOUS MONK JOHN COLTRANE PROFESSIONAL
Offering in depth analytical discussions of each composition, as well as Monk's and Coltrane's improvisational performances he provides insight into Monk's impact on Coltrane as he developed his signature "sheets of sound" style, as well as into the influence of a strong side-man, like Coltrane, on Monk at his creative and professional peak. Most importantly Solis accounts for the music itself. Because nearly a half century passed between when the recording was made and its public release, it is a particularly interesting lens through which to view jazz both as a historical tradition and as a contemporary cultural form. Taking a wide-ranging approach to the recording, Solis addresses issues of "liveness," jazz teaching and learning, enculturation, and historiography. In this book, Gabriel Solis provides an historical, cultural, and analytical study of this landmark recording, which was released by Blue Note records later in 2005. Long considered one of the most important musical meetings in modern jazz, Monk's and Coltrane's work together during a scant few months in 1957 had, until this discovery, been thought to be almost entirely undocumented. In early 2005, an engineer at the Library of Congress accidentally discovered, in an unmarked box, the recording of Thelonious Monk's and John Coltrane's performance at a 1957 benefit concert at Carnegie Hall.
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Oxford Research Encyclopedias: Global Public Health.The European Society of Cardiology Series.Oxford Commentaries on International Law.